Fujifilm X-Series cameras & William Eggleston et al. revisited (or – the art of composition, composition rule books & composition analysis) | Dean Johnston

In the comments from my previous post on the Fine Art Photographer x Fujifilm X Series Photographs, it is apparent that some people don’t care for some or all of the photographs themselves. That’s fine, for of course art is highly subjective and not all things will appeal equally to each individual viewer. I think that’s great, as it leads to an intensely wide and extremely diverse body of work, even when restricting the selection of art to the relatively narrow field of photography. At the time I was viewing the photographs in question, I did something I almost never do. Basically, I squinted with my eyes in an attempt to reduce the compositions themselves into block elements. I did this to render them devoid, as much as possible, of detailed visual information. The fine information that photographs (or any work of art) contain all help to build meaning or inform interpretation, whether this fine detail be such things as texture, small elements, smaller objects themselves, etc. My aim, while doing this, was to see the photographs as basic graphic compositions. I did this to help me understand why the photographs “worked,” because, I felt, they all in fact did work. In Japan there is an abundance of photographic publications, be they magazines, mooks (magazine books) or books. They cover absolutely every conceivable photographic related theme, including composition. Right now at my somewhat rural local Tsutaya bookstore there are two composition books available (see photos below). Typically, such books contain what I call ‘maru batsu examples.’ Maru is a Japanese term for a circle, and when used as an actual circle while marking (grading) something, means “correct.” On the other hand, batsu is an “x” mark used to indicate “incorrect” when marking. Typically, the composition books contain many pairs of similar photographs. One of each pair is (purportedly) good and indicated as such with a small maru mark, and one of each is (again, purportedly) bad and likewise indicated as such, this time with a small batsu mark (a triangle would mean half-way good or kinda okay). There is almost always accompanying text to explain or argue the point. The other important feature of these books is the visual rule section. This contains graphic examples of composition rules (with accompanying text). Boxes are used to represent photo frames, and are filled with various straight and curved lines, circles, boxes and blobs, all to show compositional elements and how they can be ideally arranged to produce (supposedly) good compositions. Let’s be clear here, this goes way beyond the usual rule of thirds or golden mean offerings, and the rules given can be bewilderingly complex and the compositional dissection quite minute. Each rule is always accompanied by example photographs to illustrate the point. Again, see the photos below……..

See on fujifilmxseries.wordpress.com


About elisatangkearung

Nothing,..Just Thank YOU to make me YOUR BELOVED SON..Thank YOU FATHER in HEAVEN!
This entry was posted in Uncategorized. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s